Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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Music Reviews
12:27 pm
Mon March 5, 2012

Dierks Bentley's 'Home' Is Full Of Country Struggles

Courtesy of the artist

Dierks Bentley has a nice, deep voice; an open, friendly demeanor; and a knack for working in a variety of country-music genres, from bluegrass to power ballads. For all that, it's always been difficult to pin down what Bentley aims to do. Although he's only in his 30s, Bentley sounds as though he's working through a bit of a midlife crisis on his new album Home. Take, for example, the single "Am I the Only One," a novelty tune about going out to party with a twist — not many of Bentley's pals want to join him, because they've settled into adulthood, and he hasn't.

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Music Reviews
11:31 am
Tue February 21, 2012

'Barchords': An Intense, Pensive Album About Love

Afie Jurvanen
Dave Gillespie All Eyes Media

Originally published on Wed March 14, 2012 10:54 am

The song "I Got You Babe," on Bahamas' new album, Barchords, is obviously not Sonny and Cher's "I Got You Babe." This version is an original song the Canadian singer-songwriter Afie Jurvanen, who records under the stage name Bahamas, has written about holding and losing someone.

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Music Reviews
11:28 am
Wed February 8, 2012

Chuck Prophet's 'Beautiful' Homage To San Francisco

Chuck Prophet.
Charlie Homo

Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.

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Music Reviews
11:58 am
Thu February 2, 2012

Lana Del Rey: The Self-Made Pop Star As Target

Lana Del Ray
Nicole Nodland Shore Fire

Lana Del Rey appeared on Saturday Night Live recently, giving two rather tentative performances that, depending on your point of view, were awkward and amateurish or shrewdly restrained and vulnerable. Del Rey, in her mid-20s, attracts polarizing opinions.

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Music Reviews
12:53 pm
Tue January 31, 2012

Leonard Cohen's 'Old Ideas' Inspire Confidence

Leonard Cohen.
Courtesy of the artist

At this point in his life, Leonard Cohen sings with a voice so deep and bottomless, he may as well be singing from underneath the earth. But that doesn't mean it's faint, or murky, or dead. Cohen's cracked baritone enunciates meticulous lyrics that sound searching, restless and jaunty. This has long been Cohen's saving grace: His dry humor juices up his more portentous pronouncements.

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Country
12:02 pm
Thu January 12, 2012

Janie Fricke: The 'Country Side Of Bluegrass'

Janie Fricke.
Courtesy of the artist

Originally published on Thu January 12, 2012 2:14 pm

Janie Fricke has had a long, winding career. She started out as a singer of TV commercial jingles, warbling for Coca-Cola, McDonald's and Red Lobster, among other clients. She then moved on to singing back-up vocals for stars such as Elvis Presley, Loretta Lynn and Dolly Parton.

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Music Reviews
11:36 am
Thu January 5, 2012

On 'Back To Love,' Hamilton Makes Every Syllable Count

Anthony Hamilton.
Courtesy of the artist

On Back to Love, Anthony Hamilton makes music from declarations. He tells a woman "I'm missing you crazy" in "Who's Loving You," and it's typical of his strategy. He states his thesis, his opinion, his desire in a voice that speaks as much as it sings for the sake of emphasis. After he's sure he's gotten his lover's attention, he begins doing his rhythm-and-blues work, mixing soul and blues and hip-hop phrasing to heighten the emotion in a song.

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Best Music Of 2011
10:09 am
Tue December 20, 2011

Ken Tucker's Top 10: The Year In Music

Music Reviews
12:38 pm
Thu December 8, 2011

The Black Keys: A Reinvention On 'El Camino'

Dan Auerbach and Patrick Carney released El Camino, their latest album as The Black Keys, earlier this week.
Courtesy of the artist

Originally published on Thu December 8, 2011 1:12 pm

Careening into your ears like the theme to a bank-heist flick is "Lonely Boy," the first single from El Camino. Except the lyric tucked inside the roaring, curve-hugging melody isn't about anything so action-packed as robbing a bank or making a getaway. Instead, Dan Auerbach sings about stasis: "I got a love that keeps me waiting." And, being the sensible raucous rocker that he is, Auerbach is willing to wait out his love, because he knows in his heart that she's worth it.

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Music Reviews
11:48 am
Wed November 30, 2011

Buck Owens: Finding His Voice In 'Bakersfield'

Courtesy of the artist

I'm not much for collections of alternate takes and the early music of people who went on to have hits. There's usually a reason a song doesn't become a hit, just as there's usually a reason to record another take — it's because the music is usually lousy. But I'm a little bit obsessed with a new collection of Buck Owens performances from the years before he became a star.

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