Maureen Corrigan en 'Friendship': A Startlingly Nice Novel By A Tough-Girl Blogger Transcript <p>TERRY GROSS, HOST: <p>Our book critic, Maureen Corrigan, has a review of the new novel "Friendship" by Emily Gould who made her name in the blogosphere. A recent profile in the New York Times Sunday style section described Gould as a forerunner to Lena Dunham and other confessional female bloggers, writers and filmmakers or whom over-sharing has become an art form.<p>MAUREEN CORRIGAN, BYLINE: The most startling thing about Emily Gold's debut literary novel is how nice it is. Even its title, "Friendship," is meant to be taken at face value. Wed, 02 Jul 2014 18:49:00 +0000 Maureen Corrigan 51389 at 'Most Dangerous Book': A Rich Treasury Charting James Joyce's 'Ulysses' There are many heroes in the tale of how James Joyce's masterpiece, <em>Ulysses</em>, which was banned for over 10 years throughout the English-speaking world, finally won its long battle to be legally published, sold and read. Kevin Birmingham tells that extraordinary story in his new book about <em>Ulysses,</em> called <em>The Most Dangerous</em> <em>Book</em>.<p>As I said, there are many heroes in it, but James Joyce himself isn't one of them. Narcissistic, manipulative, mean, and dissolute, Joyce was a handful from the time he was a teenager. Thu, 26 Jun 2014 18:09:00 +0000 Maureen Corrigan 51119 at 'Rise And Fall' Carries On Vagabond Adventure Tale Tradition Any novel that opens on a young American woman running a bookshop in a small town nestled in the Welsh countryside promises a glimpse into a life lived far from the madding crowd. That's the quaint plotline Tom Rachman's new novel<em> </em>tells uninterruptedly for the length of one brief chapter. Tue, 10 Jun 2014 19:31:00 +0000 Maureen Corrigan 50278 at 'Rise And Fall' Carries On Vagabond Adventure Tale Tradition A Second Posthumous Collection From Rock Critic Ellen Willis Transcript <p>TERRY GROSS, HOST: <p>This is FRESH AIR. Ellen Willis was the first rock critic for The New Yorker is. She was also a radical feminist writer and activist. Her work appeared in the Village Voice, where she was a columnist, as well as in Rolling Stone and The Nation.<p>Willis died in 2006 and an award-winning posthumous collection of her rock music essays was published in 2011. It was edited by Willis's daughter, Nona Willis Aronowitz, who has just brought out a second collection of her mother's work. Thu, 22 May 2014 19:24:00 +0000 Maureen Corrigan 49390 at 'Chameleon' Has Cabaret, Spies And A Plot Fit For Lifetime Even the most restrained plot summary of Francine Prose's latest novel sounds like a teaser for a late night Lifetime TV movie. Here goes: In the Paris of the late 1920s, a butch lesbian race car driver named Lou Villars has her license revoked by the French government for daring to dress as a man in public. Lou goes on to become a performer in a risque review at the Chameleon Club, a smoky nightclub where threadbare artists and thrill-seeking aristocrats mingle in the half-light. Wed, 21 May 2014 20:20:00 +0000 Maureen Corrigan 49340 at 'Chameleon' Has Cabaret, Spies And A Plot Fit For Lifetime In 'Hotel Florida,' Three Couples Chronicle The Spanish Civil War There's something romantic about biographer Amanda Vaill's device of making the Hotel Florida in Madrid the hub of her new book about the Spanish Civil War, called <em>Hotel Florida;</em> but, then again, there's always been something romantic about the Spanish Civil War itself. For the Spanish loyalists — who were supported by Russia and Mexico as well as the International Brigades of civilians from Europe and the Americas — the Spanish Civil War was a gallant stand against fascism. Mon, 05 May 2014 17:43:00 +0000 Maureen Corrigan 48492 at In 'Hotel Florida,' Three Couples Chronicle The Spanish Civil War 'Bintel Brief' And 'Hellfighters': American Stories, Powerfully Illustrated <em>A Bintel Brief</em> and <em>The Harlem Hellfighters</em> are two New York Stories. That's why I'm combining them in this review; not because — as some purists still think — they're lesser works of literature because they're graphic novels. If Egyptian hieroglyphics, the Bayeux Tapestry, and Art Spiegelman's 1991 classic, <em>Maus,</em> haven't yet convinced the high-art holdouts of the value of stories told in visual sequence, nothing I say now about these two books is likely to. Thu, 17 Apr 2014 20:57:00 +0000 Maureen Corrigan 47626 at 'Bintel Brief' And 'Hellfighters': American Stories, Powerfully Illustrated This Tightly Choreographed Tale Of Ambition And Ballet Will 'Astonish' The title of Maggie Shipstead's second novel is: <em>Astonish Me.</em> She did just that --astonish <em>me </em>-- with her debut novel of 2012, called <a href="" target="_blank">Seating Arrangements</a>. Tue, 01 Apr 2014 18:08:00 +0000 Maureen Corrigan 46810 at This Tightly Choreographed Tale Of Ambition And Ballet Will 'Astonish' 'Thief' Delivers An Unfiltered Depiction Of Life In Lagos Let's get the negative stuff out of the way first. Teju Cole's <em>Every Day Is For The Thief</em> is not much of a novel. Forget plot or character development: This is a piece of writing that's all about setting. If you take what Cole is offering here and value it on its own terms, you'll probably appreciate the curious magic at work in this slim not-quite-a-novel. In chapters that stand as separate, short vignettes, <em>Every Day Is For The Thief</em> describes a young New York doctor's visit back to his hometown of Lagos, Nigeria. Tue, 25 Mar 2014 18:05:00 +0000 Maureen Corrigan 46452 at 'Thief' Delivers An Unfiltered Depiction Of Life In Lagos What U.S. Learned From 'Heathen School' Wasn't Part Of The Lesson Plan Picture this. You're a young girl, living in a remote town in Connecticut in 1825. You've taken refuge in a neighbor's house and, as night falls, you peek out a window to see your friends and family members assembling outdoors around two crude paintings: One is of a young white woman (you); the other painting is of a man, a Native American.<p>As church bells begin to toll, some of the townspeople carry forward fake bodies meant to represent you and the man in the painting; someone else ignites a barrel of tar and the effigies begin burning — an image of looming eternal damnation. Tue, 18 Mar 2014 17:45:00 +0000 Maureen Corrigan 46108 at What U.S. Learned From 'Heathen School' Wasn't Part Of The Lesson Plan